Hollywood's Favorite Villains: Government, Law Enforcement, and the Military

As part of my previous post, I discussed the growing cynicism and outright suspicion many Americans harbor toward the US Government, and the media’s contribution to that destructive trend. From memory and with a few mouse clicks to refresh it, I have compiled below a sampling of movie plots in which the military or government agencies are the villains. The list is by no means all-inclusive, as I realized when researching that this trend began in earnest in the 1960s and has produced a disturbingly large number of movies that could appear in this list. When films depicting corrupt local police departments (NYPD and LAPD are witheringly vilified) are included, the number of movies in which government or law enforcement are the enemy is far exceeded by the list of films in which criminals are the heroes. Audiences are influenced by these portrayals, and mistrust of police and government agencies is a direct result of Hollywood’s choice of villains.

Here is a small sampling of such films, with a brief synopsis of each plot. Please note that the inclusion of any film on this list is not an endorsement of it. Many of these movies have aired on network or cable television minus their abundant gratuitous violence, sex, and language. Unfortunately their anti-government themes were not also scrapped:

Mercury Rising – The NSA tests an unbreakable super code by putting it in a puzzle magazine. An autistic 9 year old deciphers the code in the puzzle. The NSA sends hit squads to kill the boy. He hides in his home; the NSA kills his parents, and then ruthlessly hunts the boy to terminate him.

Enemy of the State – An NSA boss and hit squad attempt to murder a lawyer who stumbles upon evidence of an NSA murder.

Capricorn One – NASA fakes a manned mission to Mars, and then the mission controller plots to kill the astronauts in a staged capsule fire.

The Siege – The National Guard imposes martial law on NYC, rounds up Middle-Eastern men, and imprisons them in a stadium turned internment camp. Defense Intelligence then tortures suspected terrorists for information.

Mission Impossible – A CIA Spymaster attempts to provide an international criminal with a Top Secret list of all CIA field agents. He then kills his entire field operations team except one.

A Few Good Men – A Marine General covers up an illegal “code red” disciplinary action that resulted in a marine’s death.

The Bourne Supremacy/The Bourne Identity – An amnesiac CIA assassin is framed for a botched CIA political assassination and is hunted by his corrupt former supervisor who must kill him to hide the truth.

Good Shepherd – A squeaky-clean young CIA recruit becomes disillusioned and corrupted by the McCarthy-era CIA culture.

The Recruit – A mole within the CIA kills agent trainees working to expose him/her.

S.W.A.T. – A corrupt LAPD SWAT officer helps a high-profile drug lord escape custody. The officer also kills a fellow SWAT member.

Clear and Present Danger – The US Government conducts an illegal war on a drug cartel in Columbia. The President and his National Security Advisor make a deal with the drug lord, and the National Security Advisor, through the conspiring CIA Deputy Director, pulls the plug on the military operation, abandoning covert US troops trapped in Columbia.

Broken Arrow – An Air Force Stealth pilot rejected for promotions intentionally crash-lands a B3 bomber carrying two nuclear bombs. He then extorts the US Government for a huge ransom or he will give the bombs to terrorists.

Swordfish – The CIA hires an accomplished spy to coerce a computer hacker to steal billions in unused government funds left over from a shadowy DEA operation.

The General's Daughter – The murder of a base commander’s daughter brings an undercover detective to West Point Military Academy. The detective discovers a high level cover up of illicit and violent behavior among cadets and Academy brass.

U.S. Marshals – A State Department Diplomatic Security agent frames a former agent for a diplomatic assassination and then joins a US Marshal manhunt for the framed killer. The rogue agent kills a deputy Marshal and attempts to murder the former agent and the US Marshal.

Space Cowboys – A NASA mission chief sells US satellite guidance technology to the Soviet Union. The Soviets later deploy the technology in a nuclear missile launch platform that threatens to destroy the world.

Air Force One – Russian nationalists hijack Air Force One with the help of the President’s Secret Service detail leader, who guns down his entire agent detail and gives their tactical weapons to the terrorists.

The Sentinel – A member of the president’s Secret Service detail, suspicious of a plot to assassinate the president, is framed for the murder of a fellow agent and blackmailed over his affair with the First Lady. In unraveling the assassination plot and protecting the president, he discovers a supervisor within the Secret Service, in charge of security at the G-8 Summit is the assassination mastermind. It could have been worse, though. In the book on which the film is based, the First Lady was plotting with the Secret Service supervisor to kill her husband.

Snake Eyes – A Naval commander participates in a conspiracy to assassinate the Secretary of Defense.

Absolute Power – The President murders his mistress while a burglar hides in a closet and witnesses the crime. The Chief of Staff and the Secret Service cover for the President by making it look like the mistress was killed during a burglary. The Secret Service agents and the Chief of Staff realize a burglar actually did witness the murder, so they conspire to track down and kill the witness.

Is it any wonder that public trust in government is declining when depictions such as these are standard fare from Hollywood? If this list also included television programs such as The Agency and 24, the plots would seem even more ludicrously cynical toward government. The US Government and military have flaws, as they are operated by imperfect beings. There have been scandals and of course there have also been double agents, moles, and unscrupulously ambitious officials. Yet, considering the millions of people who have served in government since the nation's founding, the number who have plotted to assassinate 9 year old autistic boys who can crack super codes is reasonably small. Apparently only Alec Baldwin was anti-government enough to relish that movie villain role.

Who is our enemy? According to Hollywood, terrorists seem far less sinister than our own intelligence or law enforcement agencies. The Hollywood mantra from these films is clear. We have more to fear from the Patriot Act than from Al Qaeda, more to fear from our military than from any foreign foe. The work of military, intelligence, and law enforcement personnel is difficult and dangerous enough in reality, but when public paranoia, fueled by anti-government entertainment, prevents cooperation and trust, national security itself is endangered.

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